Heritage wool repair

This old woollen blanket of Mum’s has been in a cupboard for years. It’s the sort of blanket people used to give as a wedding present and it could well date back to the 1950s when woollen mills were thriving up and down the country. Mum has two of the orange and cream ones as under-blankets and a blue-green one under her duvet. There is a cream one with sage green blanket stitch, and two grey ‘army’ blankets with red blanket stitch still in various cupboards. I brought out two aircell blankets to use as throws. I can remember from my childhood that these were popular as children’s blankets as they were warm while letting air circulate.

They would all have been stored away somewhere, but I put them to use, preferring wool, particularly of such good quality, to anything else. When I discovered this cream, blue and lemon blanket last week I decided it needed some attention. This afternoon, I used embroidery thread to darn the moth holes and to repair the unravelling blanket stitch. A tutorial on YouTube gave an easy lesson on how to do that! I darned on the inside so that the mend appears flat from the outside of the blanket. The blanket is now in the washing machine undergoing a wool wash.

Many of the woollen mills have closed, but it’s great to see a resurgence in using wool. The Napier Woollen Mill’s machinery was bought by Wild Earth Yarns Ltd and shipped to Christchurch. I just looked them up and found they have a retail shop in Addington.

You often find the old blankets in markets, repurposed as clothing or cushions or bags. A variety of the patterns are used in a cushion we bought in Wānaka several years ago. Otherwise, they are found in museums – or, in our case, put to good use!

Watercolour (reprised, but not remastered)

Perhaps I should have enrolled in the creative writing course instead of repeating the Introduction to Watercolour Painting. I had a disappointing start last Monday, having somehow forgotten the disappointing end to the course I did in 2023. Note to self: don’t look at what other people have achieved. Then I had the brainwave of using poetry on card-sized illustrations, putting a wash on each piece first. I made a start today. So far, still disappointing – although it was a restful, meditative thing to do on a Saturday afternoon.

There is a connection missing between what I visualise and what appears on the paper. Those yellow blotches are meant to be thistledown, and those black splodges are meant to be cows going in for milking in the rain. They look more like wildebeasts or perhaps elephants. And was I thinking of Purple Rain? I need another brainwave if I’m to cope with the remaining five classes.

This or this … or this?

Ready for the oven

Indecisive about which recipe to use (one online, two from friends) I did a combination of the three. Lemon drizzle cake is always a popular choice, and it had to be large, light and moist with ten of us to feed for dessert at a family dinner. Along with other ingredients, I chose to use three eggs, oil and yoghurt, four lemons from my tree (two in the cake, two in the drizzle topping) and cut back on the sugar. Online sources gave differing amounts of baking powder to use with plain flour when self-raising flour is specified in a recipe – so I just made a guess, with a bit more for luck.

A scoop of vanilla bean icecream completed each serving, and I can report that it was a success.

Rainy Saturday

Today every day seems like a rainy Saturday, despite the lovely 17 degree day we had yesterday (8 degrees today) and even though Saturday loses significance when you aren’t working a 9 to 5 week. It’s good to have rain though, made evident by Felix’s muddy pawprints leading from the cat flap to his bowl. He spent the day by the fire – speaking of which, the woodshed is being progressively de-stacked after all that effort to stack it (but what a relief to have it). I dried washing inside, made Anzac biscuits and scones and, with nothing outside clamouring for attention, read the weekend newspaper – and last weekend’s too (the weather must have been better then).

Meantime, the birds are looking for food – with a break while Felix inspects the source of their attention. While admonishing him, I looked at my rather pathetic efforts to brighten up the garden with some colour – pansies and petunias – balanced precariously on the rickety frame of what remains of the greenhouse.

I noted a leak in the garage, and moss on the bricks – just part of the time of year, I guess. Thank goodness for perennially cheerful pansies and petunias. And now it’s cocktail/mocktail time, and Nashville Babylon on RNZ National (‘Well, hello!’).

Frosty morning

This morning the bird baths have frozen over and vegetable plants are drooping in the frosted garden. In this cold weather, the birds are appreciating extra food. The wax eyes like sugar water, and berry truffles in coconut feeders – while still keeping busy in the camellias. The blackbirds enjoy apple and pear cores and persimmon skins when they aren’t digging along the garden edges. Felix sometimes sits in the tree above the coconut feeders for hours. The sun is out and it’s a good day for drying washing on the line. Soon, the broad beans will perk up again.

Later this morning, Felix is keeping a look-out above the coconut feeder.

Creative geniuses

This is the aftermath of the free form painting of two great-nephews, aka Michelangelo and Da Vinci, when they were in town this weekend. There were a couple of disagreements, or contrattempi, but they were mostly harmonious as they worked, unlike the famous Italian rivals.

The work of two painting prodigies aged 3 and 5. I can’t wait to see what their little sister (aged 5 months) will create.

I was delighted to see them heading straight for the paints – no interest in coloured pencils or screens. They were very generous with squeezing paint from the tubes, mixing colours like there’s no tomorrow, experimenting with all the brushes, and applying layer after layer to the paper, as you can see. Their output was astounding.

So in the moment was I that it didn’t occur to me to photograph them as they worked so, for the photo, I’ve used paintings from their last visit in April (the style remains the same) as they were keen to take the latest ones away with them. Their dad had the genius idea of drying the thickly layered pages in front of the log burner so the paintings could be transported safely. I’m sure their intended recipients are thrilled and the work will be festooning fridge doors from here to Dunedin.

Their April paintings are carefully filed with the creative work of their mother, aunts and uncles; all of it named and dated – a record of their output over several years (See April post Family Time) when they spent school holidays at my house. This weekend’s visit reminded me of those happy days.

Cut and dried, hot and sweaty

We are down to our last log basket of the November delivery of firewood and it looks as though we’ll be needing the fire for another two or three months. We’ve found the (low-emission) log burner to be the best way to heat our nearly 100-year-old house which has single-glazed windows but is otherwise well insulated. People were clearly tougher than us in the past. Perhaps they did more manual labour. I found the house too hot when I came in for lunch hot and sweaty from lugging and stacking wood today.

The delivery of kiln-dried, ready-to-burn firewood arrived this morning. It usually takes me an hour per cubic metre to stack, a total of three hours for the minimum they’ll deliver of 3 cubic metres, but this time it took only 2 hours. That doesn’t count the time I took to tidy up the wood shed space. I paused in the first hour to put on a lighter jumper and to pump up the wheelbarrow tyre. Felix supervised for a while, then went inside to sleep. I had a brain blip at the start; stacking the firewood the wrong way round. So strange – it’s not as if I haven’t stacked wood many times before!

Matariki music

Absolutely loving RNZ’s countdown of the top 100 NZ waiata as voted for by listeners. I didn’t vote, despite thinking I would choose Dave Dobbyn’s Welcome Home for its compassionate message and gentle, catchy tune. There are so many to choose from across a huge range of genres and talented artists and it’s great to hear the songs we love.

Some of the songs are nostalgic and others are new to me. I found myself singing along to Tūtira Mai Ngā Iwi, dancing to Untouchable Girls, while Nobody Gets what they Want Anymore astounded me with its beauty.

What a great way to spend the Matariki national holiday! As I listen to the songs and the messages coming in from listeners, I have a sense of the whole country going about their day while enjoying the music. What speaks more of Aotearoa than our music?