I have just finished reading Tove Jansson: Life, Art, Words by Boel Westin.
The book is a lengthy, layered work which builds up a comprehensive picture of Tove Jansson and her work. The detail and academic depth of analysis by Westin adds to the pleasure of reading this biography. It reveals how Jansson’s work is intensely personal but shaped by a clear artistic drive and painstaking skill. Jansson’s motivation to work and love is evident in her work and her life despite enormous challenges, particularly living through the war in Helsinki (when she was brave enough to send up both Hitler and Stalin in her cartoons).
Throughout her life, island summers gave her the space she needed and reminded me of the little island houses I saw when in Finland last year, and brought back detail from The Summer Book by Tove Jansson which I read while I was there.
The illustrations of the sea in the Moomin books are like my sea views from the overnight ferry to Helsinki. The sun never quite set all night.
The colour plates in the biography added more fascinating detail, as did the illustrations throughout. I watched a BBC documentary about Jansson after I’d finished the book and was pleased to find that Boel Westin (she is Professor of Literature at Stockholm University) was a commentator throughout. There was also archival footage, particularly of the island, but also of Jansson’s mother and niece who, it turns out, were the two main characters in The Summer Book.
The Moomin machine keeps turning out more cartoons and films, but the original work is the real thing.
Jansson’s art work was a revelation – not just in the Moomin books and comic strips, but the murals, self-portraits, seascapes and illustrations.
She kept working right into her eighties – mainly on her writing in her later years. She wrote novels and short stories which I am looking forward to reading. I have this collection of short stories ready to go. Great title.
While nations not far from us contend with fires, floods and, no doubt, famine, we continue the pavlova conversation.
It turned out that the last of Mum’s pavlovas survived the breakfast ravages for a left-over evening meal on Boxing Day. Talk turned to the pavlova bake off, and it was suggested that Mum’s two collapsed pavlovas had been photographed from an unflattering angle (see previous post).
So, here is the final image on the subject, with an eye-level cross section of Mum’s pavlova.
It was still delicious two days after baking and one day after applying the toppings.
Both pavlovas pass the all-important taste (caramel, cream and fruity tang) and tactile (soft and crunchy) test and Mum’s legacy will continue to delight from generation to generation at every special occasion.
My younger brother thinks he may have proved himself a worthy apprentice to Mum in pavlova making. He sent me this photo of the freshly-baked base:
I compared it to the two pavlovas Mum had just made:
My sister reckons it’s all down to how slowly you add the sugar. One tablespoon at a time, with a minute between each addition, seems to work. Other theories are that the eggs must be room temperature and there must be no trace of yolk in the separated egg whites.
The problem with a “high” pavlova (as opposed to Mum’s “flatties”) is getting the cream and strawberries to stay on the top. After a couple of “avalanches” the top was finished. This picture shows my brother’s finished pavlova and another of Mum’s specialties, Christmas pudding, which my brother also cooked to perfection. The recipe is our favourite: the Overnight Pudding in the old Edmond’s Cookery Book.
My brother’s pavlova also passed the taste test with its pillowy centre and crisp edge.
Mum’s were equally deliciously, and the last one is probably being polished off for Boxing Day breakfast by my nephews as I write!
Mum’s pavlovas are world-famous in our family. Her grandchildren love them, as we did as children (and still do…)
In 2013, Mum’s great-niece, Emma, made a book of family recipes. Here is the photo Emma used and Mum’s handwritten recipe.
Below the recipe, Mum recalls that her sister, Gladys, brought the recipe home to Invercargill after a holiday with a friend’s aunt in Akaroa. In those days, the pavlova was cooked in a coal range – and there was no Kenwood mixer or non-stick baking sheets.
Today, it was amusing to photograph the Christmas pavlovas cooking, as I couldn’t avoid the reflection of us on the oven door peering into the oven.
The Women’s Institute tea towel is most appropriate. What could be more inspiring than Mum’s pavlovas?
This tiny bookshop is mimicking a large custard square and parked at the Arts Centre. The books are interesting and familiar titles. The shelves outside have Christmas-themed books suitable for gifts. They are protected from the sun by a similarly retro sun-umbrella, complete with fringe.
The following day, while walking home through my local park, I stopped to take a photo of the new playground. While it is new, it has been designed with a retro look to fit with the traditional style of the park which features a cast-iron bollard-and-chain fence and a parterre-style rose-garden – and these lovely spreading trees for shade.
There was lots of laughter as the costumes of each department were revealed on the last day. There were hippies, Mexicans (one genuine), a sports team featuring the periodic table (guess which department that was!), cats, Little Misses, Where’s Wallies, and “We love Annies” – a surprise from my department who told me to just dress as I liked.
I took one last photo of my laptop and keys before turning them in.
With farewell speech and final prize giving over, it was lovely to relax and have fun on this last day. There were carols and dances, games, food and drink at a gorgeous vineyard.
What an amazing, creative bunch of people to have fun with.
Then there was the fun of Secret Santa gifts.
My Secret Santa revealed her identity to me (after a few wines). She put heaps of effort into this and gave me yet another happy-sad moment!