Tag: fiction

Cottage chic

Now I’m seeing evidence of cottages everywhere in my house.

Model miner’s cottage from Central Otago
Scottish cottage brooch
Finnish cottage earrings
English mill cottage
Cottage from Kinder Surprise (when they had good stuff)
Soap box cottage (nice soaps inside) from Arts Centre market
Cottage on wheels…?
Moomin cottage mug

And then there are the many miniatures – a sort of ‘cottage chic’.

Tiny teapots from York
Kitten in basket (gift)
Teddy in bath (gift)
Tiny book
Little jug and basin from Ireland
Little watering can lights from Chatsworth

It’s no wonder that my brother said, on Friday, that he hopes he dies before I do so he doesn’t have to clear out my house. That comment prompted me to weed my bookshelves in the weekend and give away two boxes of books. I expect he won’t notice the difference!

I suspect childhood reading was the source of my fascination with cottages. These pictures are from books I won’t be giving away.

Mother Goose Vollund edition
Peter Pan and Wendy and the lost boys
Beatrix Potter
Mister Dog (Little Golden Book). Note the weather vane!
Bunyip Bluegum and Uncle Wattleberry’s tree house.

Books with cut-away interiors intrigue me, such as the last photo (above) of a neolithic French rural cottage. As Katherine Mansfield wrote in The Doll’s House: “Why don’t all houses open like that? How much more exciting than peering through the slit of a door into a mean little hall with a hat-stand and two umbrellas!”

My favourite childhood book was Miss Happiness and Miss Flower by Rumer Godden. In it, a Japanese dolls house is built, similar to the one in my copy of The Ultimate Dolls’ House Book by Faith Eaton, along with other interesting cottages, reminding me of the Folk Museum I visited in Korea which replicated the interiors of houses over time.

It’s not only children’s books which feature cottages. There are many books about women (or men, as in The Searcher by Tana French) who retreat to a country cottage to regroup and reshape their lives, with mixed success, such as in Falling by Elizabeth Jane Howard. Miss Marple lives in a cottage in the English village of St Mary Mead. Tove Jansson’s fictional family in The Summer Book live in a cottage on a Finnish island. Other authors have shown the disadvantages of the cottage: Jane Austen in Sense and Sensibility, Claire Fuller in Unsettled Ground. Still, somehow, the romance of the cottage lives on, whether it’s a place of retreat or a place to set out from on adventures.

Book magnet

Everyday we’re either repelled or attracted by what we experience – or somewhere along the continuum from one to the other. Felix is very cute until he brings in a rat. I began this morning’s paper with anticipation only to put it down with distaste. I link these opposing feelings to the kinds of books I’ve been reading. I was a little repelled (that’s NZ-speak for very repelled) by aspects of a book of short stories titled Surplus Women by Michelle Duff. It’s literary fiction, after all the author won the International Institute of Modern Letter’s fiction prize in 2023. The book reminded me of Margaret Atwood’s short stories collected in Bluebeard’s Egg which I puzzled over at university until it clicked that the women were supposed to behave like that and never see the error of their ways – so we wouldn’t make the same mistakes, perhaps? With both authors the writing itself is the most attractive feature.

I am never without a book and, ever indiscriminatory (within limits), looked forward to slipping into the more comfortable, but somewhat mis-named, genre of ‘cosy crime’ to give me a break. I decided on May Day by Jess Lourey and embarked on a sometimes attractive sometimes repellent adventure set in the small town of Battle Lake, Otter Tail County, Minnesota (all real places). It’s attractive for the hilarity and social commentary and somewhere on the spectrum to repellent for the food, weird Americanisms (‘a couple moments’ instead of ‘a couple of moments’ is just one example) and quirky characters – reminiscent of Janet Evanovich’s Stephanie Plum series, but engaging for its freshness*. I’m too entertained to be bothered by the sneaking suspicion (i.e. awareness) that the writer knows too well – and manipulates – her reader, but that is perhaps the same for all fiction writers; part of the writer’s craft. Of course, May Day turns out to be the first of a Book by Month series. The first was cheap on Amazon, after which the price of each book quadruples. So I looked it up on the library catalogue and have downloaded all ten books in the series for free and have 14 days to finish them. A fest of alternating attraction and distaste. I’m up to July.

*Both Evanovich and Lourey get a lot of laughs out of the antics of elderly folk – but then, so do I. When I took Mum (aged 96) to have a blood test on Thursday she announced in the waiting room that her stockings were falling down and proceeded to hoist up her neat tweed skirt to make the necessary adjustments. (Luckily, there were only three people in the waiting room, a man intently involved with his phone and two others hastily heading out the door. A courier driver at the counter had his back to us and was taking his time.)

Uproarious!

Two hot days in a row were all the excuse I needed to sit in a cool spot and read. Consequently, I’ve just finished this brilliant, entertaining and educative book by a 27 year-old historian. I had thought of skimming through it quickly, but it was so engaging that I read every word – sometimes more than once! The author would like to rescue the once famous (infamous?) visual satirists (mainly Gillray, Rowlandson and Cruikshank) from Victorian censorship – Prince Albert burnt many he found in the royal collection. She claims that they were such an influence in their time that they likely changed the course of history. As the cover illustration shows, they caricatured political figures, here showing PM William Pitt and Napoleon Bonaparte carving up the globe – you could substitute them for Trump and Putin.

People would crowd to the bow windows of the printmakers (here, the shop of Hannah Humphrey) to see the latest cartoons – often in the hope (or dread) that they might feature in the caricatures themselves – and to buy some to add to their collections.

While portraitists and painters may have been held in higher esteem, the satirists were generally formally trained in those skills too. This image shows the contrast between the two forms: one an idealised portrait of a celebrated singer, while the caricaturist brings her down to earth.

I am amused by this send-up of a fashion trend in muslin dresses better suited to warmer climes than the English weather.

And here’s a Georgian traffic jam in London. I’ve included text again so you can appreciate the author’s very readable writing style.

Many of the caricatures are of brutal scenes, particularly of the French Revolution, which shocked the public and, despite general disapproval of George III and more so of his profligate heir, may have put people off trying the same thing at home.

Here’s a bit about the author, with a caricature of the Prince of Wales (later George IV) by Gillray below.