When the school year was divided into three terms, instead of the current four terms, we looked forward to August holidays and the first signs of spring. The month is a changeable one. Yesterday was warm. Today I walked to philosophy class at the WEA feeling the cold bite of the “beastly easterly”. Our entertaining tutor and the rapt class did something to ease the chill, not to mention the sometimes heated discussions of logic and reasoning. The class is called Arguments, Fallacies, Trickery.
After class I dropped in at the Art Gallery to take a second look at the Louise Henderson exhibition. At the entrance is this quotation:
As a retired English teacher, I will never stop reading or thinking about what I read. The philosophy class has shown me how to rev the cogs up a notch and I’ve enjoyed the ‘homework’ I’ve set myself to discover more and to understand the jargon. I can apply what I’m learning to my reading.
I’m revelling in reading and missing no opportunity to read widely. The variety available at our fantastic libraries is impressive. I’ve just finished a book set on the Kamchatka Peninsula in Russia (Disappearing Earth by Julia Phillips) and I’m now reading a book set in ancient Rome (The Grove of the Caesars by Lindsey Davis, in the time of Domitian who, incidentally, banned all philosophers from Rome) – both from the library. I was able to order a missing book in Tsitsi Dangarembga’s trilogy. It arrived very quickly, a brand new copy of The Book of Not, which follows on from Nervous Conditions. The last in the trilogy is This Mournable Body which is long-listed for the 2020 Booker Prize. I have a copy in my latest pile from the library. The trilogy is the story of Tambudzai, a girl desperate for an education who moves from her rural village to a prestigious boarding school on a scholarship during the struggle for independence in Rhodesia-Zimbabwe. Will her education give her the life she hopes to have? At what cost? It revives memories of my students’ teenage angst and struggles with anxiety and identity and with their often harrowing home lives. Add a layer of war (continual gunfire in the distance and close-up violence) and discrimination (an overcrowded African dormitory and a bully for a matron) and this character’s pain becomes palpable to the reader. I will read on anxiously to discover how Dangarembga’s character survives as she grows up. Interestingly, she remains in Zimbabwe (so far) unlike the main character in NoViolet Bulawayo’s novel We Need New Names (shortlisted for the Booker the year Eleanor Catton won) who migrates to the US and experiences poverty and racism there. In a heart-breaking scene, she and her cousins try on clothes in a mall to picture themselves living lives they know they will never have. Dangarembga has remained in Zimbabwe where she is an award-winning film-maker, playwright and political activist in a country where, like many others, a pandemic is one more thing on top of many dangers. There is no feeling nostalgic for times past, I would suppose. Instead, all of these books to some extent show virtue is a source of happiness and suffering does not exclude the possibility of joy – as in the philosophy of the Stoics interpreted for today. I may change my mind about this conclusion when I’ve read the third book.
Back in the Art Gallery, August is missing from Louise Henderson’s panels featuring the months of the year.
In a tangential mind-drift during the philosophy class this omission seemed significant. I’m not sure why. It makes a good thinking point. What would it have been like? Would it have shown a half-way point between the dark July panel and the light September panel? Did it contain something which set the exuberance of the remaining panels in motion? Has it been lost? (The answer is in this link.) Or did its owner refuse to lend it for the exhibition? I’m pleased the curator left a gap for the visitor to contemplate.
August seems yellow to me so far, less than a week into the month. Perhaps because I have just pruned the lemon tree quite hard to remove branches resting on a brick wall. I collected a bucket full of lemons from the removed branches and am considering ways to use them – limoncello? preserved lemons? lemon meringue pie?
Perhaps Popcorn will discover some answers inside the strawberry bucket.
Here’s a nice thought to finish:
“Of all people only those are at leisure who make time for philosophy, only they truly live. Not satisfied to merely keep good watch over their own days, they annex every age to their own. All the harvest of the past is added to their store. ” — Seneca